Panchakosh is a dialogue of a human being with his/her inner self as he/she undergoes a journey within towards bliss and enlightenment.

Panchakosh as per Vedic philosophy describes humans with five layers of awareness, or sheaths, that filter all experience. The word "pancha" is Sanskrit for "five" and "kosha" means "sheath". The five sheaths, from outermost to innermost, are: (1) Annamaya Kosha: The food sheath (2) Pranamaya Kosha: The vital sheath (3) Manomaya Kosha: The mental sheath (4) Vigyanamaya Kosha: The intellectual sheath (5) Anandamaya Kosha: The bliss or enlightenment sheath.

The theory suggests that each person's unique perspective of reality comes from their identification with each of the five sheaths. When all five sheaths are balanced and integrated, a state of wellbeing is achieved.

This artwork moves from dark to light, from left to right, as the conversational journey with ones own self is undertaken. Sharp lines and rough structures gradually smoothen to waves and moving lines, merges into a human mind with conflicting thoughts and emotions. But leads to knowledge and finally arrives at the eternal enlightenment through Sri Yantra.

The Panchakosha theory proves that people can be trained to transcendence from lower self to highest self and change the personality. In todays times and society, people in their lower self triggers crimes, conflicts, wars, genocide that leads to disturbance of world peace. Traversing the dialogues through Panchakosha can generate internal peace in the most atomic unit of our society, the human being.

Medium Used: Sand and Acrylic on stretched canvas

Size: 8 feet by 4 feet. 

Parakriti is an infinite dialogue between Nature and Industrial Revolutions (explained through exponential Fibonacci series canvas sizes). The artwork currently has been made out of 5 canvases. The canvases are of sizes 6 sq inch, 6 sq inch, 12 sq inch, 18 sq inch and 24 sq inch. They are placed in Fibonacci series exponentially increasing in size as per the Golden Ratio of 1,1,2,3,5. This artwork also can infinitely continue by adding canvasses in the same Golden ratio spiral. The next canvas sizes would be 48 sq inch, and 36 sq inch, denoting 8 and 13 (the next numbers of the infinite series). Thus depicts never-ending dialogues towards equilibrium between Nature and Industrial progress. The fibre threads pasted on the canvas exemplifies the never ending dialogue between nature and industrial progress. How Industrial Progress wanes away nature exponentially, while Nature fosters never ending negotiations through climate and conservsation initiatives to hold itself together.

Materials Used: Acrylic, Sand and Portland Cement textures, Fibre on Stretched Canvas

Dimensions: 48 inches by 24 inches (122 cm by 61 cm)

“Dasagriva”, as a series, would portray the 10 heads of Ravana that symbolizes the 6 shastras and 4 vedas, making him a great scholar and of supreme intelligence. Each head depicts either a sin or a gift of life. Seven of them are also described as Cardinal Sins or Capital Vices in Christianity. The 10 heads represent the 10 basic emotions of human beings as Matsarya (envy), Kama (lust), Krodha (wrath), Moha (delusion), Lobha (greed), Mada (pride), Manas (mind), Buddhi (intellect), Chitta (will) and Ahamkara (the ego).

“Krodha (Wrath)”, 2025 can be defined as uncontrolled feelings of anger, rage, and even hatred. Wrath often reveals itself in the wish to seek vengeance. If anger reaches the point of a deliberate desire to kill or seriously wound a neighbor, it is gravely against charity; it is a mortal sin". Hatred is the sin of desiring that someone else may suffer misfortune or evil and is a mortal sin when one desires grave harm.

The artwork uses shattered glass pieces set on the canvas with shades of fire. It depicts the wrath that leads to a fiery volcanic eruption that breaks and shatters everything it comes in contact with.

Materials Used: Shattered glass pieces, Resin, Acrylic and Textures on Stretched Canvas

Dimensions: 36 inches by 30 inches (91 cm by 76 cm)

“Dasagriva”, as a series, would portray the 10 heads of Ravana that symbolizes the 6 shastras and 4 vedas, making him a great scholar and of supreme intelligence. Each head depicts either a sin or a gift of life. Seven of them are also described as Cardinal Sins or Capital Vices in Christianity. The 10 heads represent the 10 basic emotions of human beings as Matsarya (envy), Kama (lust), Krodha (wrath), Moha (delusion), Lobha (greed), Mada (pride), Manas (mind), Buddhi (intellect), Chitta (will) and Ahamkara (the ego). 

“Maya/Moha (Delusional Attachment)”, 2025 is a depiction of the delusion of attachment and possession that human have for vyakti, vastu or paristhiti (Person, thing or situation). This delusion of attachment creates a net that consumes us in suffering and suffocation through our lives. The delusion shackles us with its knotty ropes and binds us to possessions, prohibiting us from being free.  

Materials Used: Fabric, Fibre, Acrylic and Textures on Stretched Canvas

Dimensions: 36 inches by 30 inches (91 cm by 76 cm)

“Dasagriva”, as a series, would portray the 10 heads of Ravana that symbolizes the 6 shastras and 4 vedas, making him a great scholar and of supreme intelligence. Each head depicts either a sin or a gift of life. Seven of them are also described as Cardinal Sins or Capital Vices in Christianity. The 10 heads represent the 10 basic emotions of human beings as Matsarya (envy), Kama (lust), Krodha (wrath), Moha (delusion), Lobha (greed), Mada (pride), Manas (mind), Buddhi (intellect), Chitta (will) and Ahamkara (the ego). 

“Lobha (Greed)”, 2025 is an inordinate desire to acquire or possess more than one needs, especially with respect to material wealth. The artwork depicts material structures on a reverse Fibonacci series golden ratio depicting the incessant fall or decrease of one self due to the sin of Greed rather than increase of wealth. The structures in the artwork also depicts a reverse axis mundi to express a point away from god. 

Materials Used: Fabric, Fibre, Acrylic and Textures on Stretched Canvas

Dimensions: 36 inches by 30 inches (91 cm by 76 cm)

“Dasagriva”, as a series, would portray the 10 heads of Ravana that symbolizes the 6 shastras and 4 vedas, making him a great scholar and of supreme intelligence. Each head depicts either a sin or a gift of life. Seven of them are also described as Cardinal Sins or Capital Vices in Christianity. The 10 heads represent the 10 basic emotions of human beings as Matsarya (envy), Kama (lust), Krodha (wrath), Moha (delusion), Lobha (greed), Mada (pride), Manas (mind), Buddhi (intellect), Chitta (will) and Ahamkara (the ego). 

“Kama (Lust)”, 2025 expresses intense or unbridled sexual desire, which may lead to fornication (including adultery, rape, bestiality), and other sinful and sexual acts; oftentimes, however, it can also mean other forms of unbridled desire, such as for money, or power.

Materials Used: Fabric, Fibre, Acrylic and Textures on Stretched Canvas

Dimensions: 36 inches by 30 inches (91 cm by 76 cm)

“Dasagriva”, as a series, would portray the 10 heads of Ravana that symbolizes the 6 shastras and 4 vedas, making him a great scholar and of supreme intelligence. Each head depicts either a sin or a gift of life. Seven of them are also described as Cardinal Sins or Capital Vices in Christianity. The 10 heads represent the 10 basic emotions of human beings as Matsarya (envy), Kama (lust), Krodha (wrath), Moha (delusion), Lobha (greed), Mada (pride), Manas (mind), Buddhi (intellect), Chitta (will) and Ahamkara (the ego). 

“Matsarya (Envy)”, 2024 describes the sin of mind in which envy is resentment or sadness at another's good fortune or excellence, with an often-insatiable desire to have it for oneself. It can be described as a sad or resentful covetousness towards the traits or possessions of someone else. It comes from vainglory and severs a man from his neighbor.

Materials Used: Fabric, Fibre, Acrylic and Textures on Stretched Canvas

Dimensions: 36 inches by 30 inches (91 cm by 76 cm)

Materials Used: Mixed Media, Paper, Acrylic and Textures on Stretched Canvas

Dimensions: 40 inches by 30 inches (102 cm by 76 cm)

Materials Used: Acrylic and Textures on Stretched Canvas

Dimensions: 48 inches by 36 inches (122 cm by 91 cm)

Description: “Gunatray”, as a series, bases on Yogic Philosophy. It depicts the three “gunas”, viz. Sattva (purity, harmony), Rajas (activity, opulence, rule), and Tamas (negativity, darkness, destruction). “Tamas”, with shades of darkness, depression and negativity, depicts destruction and symbolizes Lord Shiva in his tandav avatar.

Medium: Acrylic, with textures and modelling pastes on Stretched Canvas

Dimensions: 36 inches by 48 inches

Description: “Gunatray”, as a series, bases on Yogic Philosophy. It depicts the three “gunas”, viz. Sattva (purity, harmony), Rajas (activity, opulence, rule), and Tamas (negativity, darkness, destruction). “Rajas”, with shades of monarchial grandeur, wealth and opulence, depicts prosperity and symbolizes Lord Ganpati Bappa (in his Lalbaug cha Raja posture).

Medium: Acrylic, with textures and modelling pastes on Stretched Canvas

Dimensions: 36 inches by 48 inches

Description: “Gunatray”, as a series, bases on Yogic Philosophy. It depicts the three “gunas”, viz. Sattva (purity, harmony), Rajas (activity, opulence, rule), and Tamas (negativity, darkness, destruction). “Sattva”, with shades of purity and freshness, depicts nature and symbolizes Lord Vishnu (Krishna).

Medium: Acrylic, with textures and modelling pastes on Stretched Canvas

Dimensions: 36 inches by 48 inches

Description: “Reflections”, as a series, makes a journey through the emotions, expressions and expectations of a woman. “Sooti” portrays the fertility of the woman as a culmination of love and as the beginning of her emotions of nurture. “Sooti” or 'birth' of a life that engulfs and grows around her, taking her as the lifeline of support.

Medium: Acrylic, Oil Pastels and textures on Stretched Canvas

Dimensions: 40 inches by 30 inches

Description: “Reflections”, as a series, makes a journey through the emotions, expressions and expectations of a woman. “Pranay” expresses the togetherness as abstractly as Shakespeare would ...

“One half of me is yours, the other half yours— Mine own, I would say; but if mine, then yours, And so all yours.”

(The Merchant of Venice, Act III, scene ii)

Medium: Acrylic, Oil Pastels and textures on Stretched Canvas

Dimensions: 66 inches by 42 inches

Description: As the novel coronavirus scavenges the planet, leaving death and mayhem in its breadcrumb trail, we wonder, is one of Mother Nature’s ways of resisting humanity’s assault on her essential life systems. Is it what James Lovelock mentioned in “The Revenge of Gaia”? While the nature continues its beautiful life; only pushing the humans in cages; this “pralay” (storm) etches a message loud and clear; its high time humanity reconsiders its relationship with nature.

Medium: Mixed Media on Stretched Canvas

Dimensions: 20 inches by 20 inches

Description: Un-decided

Medium: Acrylic on Stretched Canvas and built on textures and modelling pastes

Dimensions: 20 inches by 20 inches

Un-named

Medium: Acrylic on Stretched Canvas and built on textures and modelling pastes

Dimensions: 48 inches by 36 inches

“Adhiṣṭhāna” expresses the initiations or blessings in Vajrayana Buddhism. The term adhiṣṭhāna is also used to describe the transformative power of the Buddha. According to D. T. Suzuki: “The Buddha is creative life itself, he creates himself in innumerable forms with all the means native to him. This is called his adhisthana, as it were, emanating from his personality. The idea of Adhisthana is one of the Mahayana landmarks in the history of Indian Buddhism and it is at the same time the beginning of the 'other-power' (tariki in Japanese) school as distinguished from the 'self-power' (jiriki).”

Medium:  Acrylic on Stretched Canvas and built on textures and modelling pastes

Dimensions:  36 inches by 24 inches

A tryst with Sennelier Oil Pastels. Its a privilege to know that for 130 years, Sennelier goes on with increasing fervor to combine the traditions of the Old Masters with the innovations of modern chemistry, to please today and tomorrow's Artists asking for vibrant and eternal colours.

In 1949, Parisian painter Henri GOETZ approached Henri SENNELIER the famous artist materials manufacturer, about creating a wax colour stick for his friend Pablo PICASSO. Their collaboration produced the incomparable SENNELIER oil pastels. Originally available in a palette of classic hues, the colour selection was expanded with the addition of metallic and iridescent hues.

Medium:Sennelier Oil Sticks on Clairefontaine Paper

Dimensions: 12 inches by 9 inches

“Aanandamai (Sheath of Blissfulness | Gaine de béatitude)”, is where we experience unity with the universal Consciousness and achieve bliss that is deeper than the material world. The artwork adopts Lord Buddha as the symbolization to represent the achievement of Nirvana through self actualization of peace and blissfulness.
 
Medium:  Acrylic and Oil Pastels on Stretched Canvas and built on textures and modelling pastes and primed with varnish and fixatives
Dimensions:  50 cm by 50 cm

“Viggyaanamai (Sheath of Intellect | Gaine d'intelligence)”, is the sheath or layer of intellect and knowledge that brings in new dimensions and new positions to life. The deity of Saraswati symbolizes the power of knowledge and intelligence.
 
Medium:  Acrylic and Oil Pastels on Stretched Canvas and built on textures and modelling pastes and primed with varnish and fixatives
Dimensions:  50 cm by 50 cm

“Manomai (Sheath of Emotions | Gaine d'émotions)”, is the mind which governs perception of the world and it is where one's sense of Self develops, along with the way it behaves with love, emotions and belonging. The artwork adopts Draupadi from the mythological novel of Mahabharata to depict the myriad of emotions of desire, lust, love, anger, jealousy and vengeance.
 
Medium:  Acrylic and Oil Pastels on Stretched Canvas and built on textures and modelling pastes and primed with varnish and fixatives
Dimensions:  50 cm by 50 cm

“Praanamai (Sheath of Vitality | Gaine de vitalité)”, is the layer of life infused in a physical body. The act of vitality and agility of the body when it comes to life. The Nataraj is taken as a symbolization of vitality.
 
Medium:  Acrylic and Oil Pastels on Stretched Canvas and built on textures and modelling pastes and primed with varnish and fixatives
Dimensions:  50 cm by 50 cm

“Annamai (Sheath of Nourishment | Gaine de Nourriture)”, is the physical body which needs food and nourishment to thrive. The artwork adopts Lord Ganesha as the symbolization to represent the prayers to achieve a sound physical being sheathed with food and nourishment.
 
Medium:  Acrylic and Oil Pastels on Stretched Canvas and built on textures and modelling pastes and primed with varnish and fixatives
Dimensions:  50 cm by 50 cm

“Samadhi” expresses the unification of mind through meditative absorption and focus. The prayers for ‘siddhi’ eventually culminates into oneness with the object of meditation. The work bases itself on the meditation of Lord Shiva.
 
Medium:  Acrylic on Stretched Canvas and built on textures and modelling pastes
Dimensions:  66 inches by 42 inches

“Siddhi” expresses our undeterred focus on our prayers albeit amidst conundrum and stormy environment. The work is inspired from the artist’s visuals of the ganga aarti in Varanasi.

Medium:  Acrylic on Stretched Canvas and built on textures and modelling pastes
Dimensions:  66 inches by 42 inches

“Reflections”, as a series, makes a journey through the emotions, thoughts and expectations of a woman. “Samprikt” expresses a feeling of bliss that cleanses the soul of commotions, conflicts and negativity.

Medium: Acrylic on Stretched Canvas

Dimensions: 30 inches by 30 inches

Description: “Reflections”, as a series, makes a journey through the emotions, thoughts and expectations of a woman. “Swapnaja | Fiery Dreams” expresses the fire and passion of the woman and her burning desires underneath.

Medium:  Acrylic on Stretched Canvas Dimensions:  24 inches by 24 inches

Dimensions: 24 inches by 24 inches

Medium: Acrylic on Stretched Canvas

Dimensions: 24 inches by 36 inches

Medium: Acrylic on Stretched Canvas

Dimensions: 48 inches by 36 inches

A depiction of the alter ego.

Medium: Charcoal and Soft Pastels on Paper

Dimensions: 12 inches by 12 inches

In an pensive mood.

Medium: Charcoal and Soft Pastels on Paper

Dimensions: 12 inches by 12 inches

Medium: Charcoal on Textured Paper

Dimensions: 18 inches by 12 inches